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The Laws of Motion (2020)

for orchestra (7’30”)

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New Light (2020)

for solo piano (flexible duration)

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Embers (2020)

for wind symphony (9′)

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Warhol in The Tenderloin (2019)

for pierrot ensemble + percussion (6′)

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Denali (2019)

for flute, clarinet and violin (6’30”)

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The Niche Hypothesis (2019)

for orchestra (7′)

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Garden Suite (2019)

for solo viola (7′)

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A Day in the Life of Erik Satie (2018)

for baritone voice with piano accompaniment (7’45”)

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101 Things to do With Cauliflower (2018)

for improvising ensemble

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Odd Logic (2018)

for 2 flutes, 2 pianos, and 2 basses (18′)

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Diptych (2017)

for saxophone quartet (11′)

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After Fanfares (2016)

for solo piano (9′)

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Karst Music (2016)

acousmatic (8′)

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Fantasia on a Webern Row (2016)

for wind symphony (14′)

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The Fine Art of Conversation (2015)

for string quartet (7′)

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Structures (2015)

for flute, clarinet, horn, violin, viola & cello (6′)

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