Featured Music
Select a category from the menu below to listen to recordings, find sheet music, and read about the music.
Full catalogue
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How Far to Pelican Island? (2024)
orchestra (3’30’’)Trombone Concerto (2023)
tenor trombone and orchestra (16’)Dark Energy (2022)
orchestra (7′)Sanctuary (2022)
orchestra (5′)The Laws of Motion (2020)
orchestra (7’30”) -
Bright Spark (2025)
chamber orchestra (2′45’’)Mountain (2022)
string orchestra (15’)My Mother Plays the Cello (2021)
chamber orchestra (10′)Embers (2020)
wind symphony (9′) -
Fable (2024)
Flute, marimba & synthesiser (6’)Lime Song (2024)
SSATBarB vocal ensemble (7’)Rondo for Soup (2023)
trio: clarinet, cello & piano (4’30”)History (2022)
sextet: flute, clarinet, violin, viola, cello and piano (8’30”)Nigel (2021)
quintet: clarinet, violin, viola, cello, and piano (9′)Warhol in The Tenderloin (2019)
sextet: flute, clarinet, violin, cello, piano, and percussion (6′)Denali (2019)
trio: flute, clarinet and violin (6′)The Fine Art of Conversation (2015)
string quartet (7′) -
Ladybird, ladybird (2024)
piano (3’)Postlude (2023)
piano (5’)Light and Transfiguration (2020)
piano (13′)Garden Suite (2019)
solo viola (7′)A Day in the Life of Erik Satie (2018)
baritone voice and piano (7’45”)
Recent and upcoming projects
I most recently completed a commission for a short, punchy chamber orchestra piece for the Tasmanian Symphony Orchestra. Bright Spark will be premiered in Hobart at Meet the Orchestra concerts on September 5. The piece includes an optional ‘body percussion’ part, enabling young members of the audience to play along with the orchestra. Many thanks to TSO for so generously commissioning me!
Currently, I’m underway on a string quartet for one of Australia’s finest ensembles. This will be my first string quartet since 2015’s The Fine Art of Conversation and I’m both nervous and excited at the prospect. I’ll be posting occasional updates on social media as the year progresses. - Aug 2025